Kira’s PhotoBlog

1. Vid 1- a. Alyssa Schukar b. Bringing out the emotions in different photos c. All taken from the same distance needs to be different, not enough strong singles, all the emotions are sad and dark. d. Graphics, some of the darker photos they liked e. They seemed to incorporate a lot of emotions that can really bring the sad-dark feelings out of you. I liked more of the happier photos like the baseball one. Vid 2- a. Jordan Murph b. Expresses a lot of energy at that exact moment in time when the photo was taken. c. Needs to change up the colors and point of view, needs to expand on the types of photos they take, needs to make sure the photos include the sports player. d. The lighting, the composition. e. At first they liked to take photos of really diverse action sports photos, and then the photos began to get softer and had absolutely nothing to do with sports. I liked the first few pictures. Vid 3- a. Josh Birnbaum b. A lot of different emotional stories c. Needs bet

1. My friend 2. Next weekend 3. -How long have your car?     -What caused you to get this car     -Is your car usually clean or dirty     -How often are you riding in your car     -What does your car say about you 4.What the car shows about that persons personality.

1.  The first port of call for most locations is an online map service, such as  Google Maps . The amount of detail available on the satellite view, along with the Street View facility, is invaluable for getting an insight into the basic features and landscape.   2. Photographer's Ephemeris 3.   A zoom or telephoto lens often distorts at least part of the image, making a sequence harder to stitch together.   4. The latest digital SLR, and improved raw-processing software such as Light room 6, mean that you can often reclaim a lot of the highlight and shadow detail. 5. A strong water-proof plastic  bag, cleaning cloths and microfiber towels. 6. It allows you to see  all of the possible viewpoints, and using different elements in the foreground or background.  But there are usually many viewpoints that you can use, taking shots that offer a fresh take on a familiar subject. 7 . T he key is to allow the subject to influence the composition, rather than trying to force the